Shakers

banner: a long strip of cloth bearing a slogan or design, hung in a public place or carried in a demonstration or procession

these didn’t start as banners
yet, as a way to mark color on cloth
indigo, madder & coreopsis

later, hung on a Shaker cupboard
finally sewn into a series of twelve,
a perfect circle/perfectly round.
shaker studies 01-12
.
.
pardon the pun, but coming full circle,
dyeing these cloths lead me down a
path exploring the Shaker’s use of color

four years later, study 06 hangs as a banner in Williamstown, MA
and on Saturday, I will present my paper ’Prismatic Utopia,’ a threefold
exploration of Shaker color—practical, temporal & spiritual
at the Deerfield Fall Forum

Eyes on Art Town, 37 artists’ banners found in downtown Williamstown
A Rich & Varied Palette: Coloring New England’s Past at Historic Deerfield, 13/14 September

[a perfect circle/perfectly round. shaker studies.06, 2021 Indigo on muslin, coreopsis and indigo on found textile, dyed cotton thread]

The title is from a quote by two Shaker Brethren, Calvin Green & Seth Y. Wells (1823)—“A circle may be called a perfect circle when it is perfectly round.”

this is what research looks like-notes on a wall, folders on a table, books stacked high

this is how research is defined as a noun: the systematic investigation into and study of materials and sources in order to establish facts and reach new conclusions

this is how research is defined as a verb: investigate systematically

looking forward to presenting my research Prismatic Utopia at the Deerfield Fall Forum ‘A Rich and Varied Palette: Coloring New England’s Past’ 13/14 September.

“Historic Deerfield’s 2024 Fall Forum, A Rich and Varied Palette: Coloring New England’s Past, convenes a group of leading researchers and scholars to explore the vast subject of color and its history. Research and publication in the history of color has been growing in recent decades, but few studies have examined color’s impact on specific cultural regions, such as New England. The program’s lectures will focus on the diverse topics of global colorants and textiles, lithoprints in 1840s New England, painted furniture at the Bath Academy, japanned furniture, Shakers’ color use and meanings, New England’s textile bleaching industries, chrome yellow and pink as pigments, and the paints and finishes of the Rockingham (Vermont) meeting house.”

More info HERE for in person or virtual registration.

Thanks to Merriam Webster for the definitions and to Historic Deerfield for the opportunity.  

Simultaneous
Synchronicity
Shaker Color
Sonia Delaunay
Sunrising
 
morning reading of Delaunay’s 
“magnetic language of colors”
“transcribing the poem into colors”
in Pascal Rousseau’s essay
 
“Not images, or objects in the 
traditional sense, but colours, lines
sensations, feelings. Pure inspiration.”
Sonia Delaunay
 
“And when light expresses itself fully,
everything is coloured.” Guillaume Apollinaire

[quotes and Delaunay images from
Sonia Delaunay, Tate Publishing, 2014]
 
[stack of shaker boxes from JKRussel Antiques]

Arrival Day, August 6, 1774

”Thus, after enduring the storms and dangers of the sea, in an old, leaky ship, which had been condemned as unfit for the voyage, and came very near foundering at sea, they all arrived safe in New York, on the sixth of August following.  This account was attested by the captain, and by many witnesses, both believers and unbelievers.”

This year marks the 250th anniversary of Arrival Day, when Shaker founder Mother Ann Lee and eight followers arrived in the harbor of New York.  Eventually, they would settle in Niskayuna (Albany, NY).

Mother Ann Lee described as ‘clothed with the sun.”



“Appendix: A Brief History of the Rise and Progress of The United Society,” written by Calvin Green and Benjamin S. Youngs, in the 1855 ‘The Testimony of Christ’s Second Appearing.’

text & typeface

words on the side of the road
as in the Shaker “Wayside Pulpit”
words found in advertisements 
as in the work of Corita Kent
words about to be printed
at Melanie Mowinski’s studio
words printed, read, used, perused
aptly, just begin

--Wayside Pulpit included in 'Unexpected Shaker' a pop-up show in Kinderhook, NY until 8/25
--Corita Kent, ‘bell bound’ found in ‘Corita Kent and the Language of Pop’
--Melanie Mowinski, Press:LetterPress

french yellow oxide
chrome yellow
red ochre deep
red lead
chrome green
prussian blue
.
. 
color matching
Shaker Color Palette
.
.
So excited to be presenting
my paper Prismatic Utopia at
Historic Deerfield’s Fall Forum,
A Rich and Varied Palette:
Coloring New England’s Past,
September 13/14 2024

Info on Fall Forum found here,  Historic Deerfield

Second image Susan Buck's shaker pigments for
Shaker Museum | Mount Lebanon. Thanks to 
Jerry Grant for his amazing stewardship of artists
seeking Shakers. And to Susan Buck for our recent
conversation regarding Shaker color and her paint
research. 

cast iron stoves & cheese baskets
windows & borrowed light 
walking wheels & rocking chairs
dovetail joints formed by Brother Ricardo Belden
pink purple checked & iridescent silk kerchiefs
dual staircases for sisters & brethren
oval boxes in chrome yellow, red lead & blue
machine shop, azure sky

Shaker Design Stamps USPS
photographs by Michael Freeman

of Fruitlands Museum Harvard MA
of Pleasant Hill Shaker Village Harrodsburg KY
of South Union Shaker Village Auburn KY
of Shaker Museum Mount Lebanon, New Lebanon NY
of Canterbury Shaker Village Canterbury NH
of Hancock Shaker Village Pittsfield MA

2024 marks the 250th anniversary of the Shakers arrival 
in the port of New York


learn more about the stamps on the USPS website
visit Sabbathday Lake Shaker Museum 

“Painting is a form of poetry
Colors are words
Their reflections rhythms.
The completed painting,
a completed poem.”

Sonia Delaunay
[from Kunst Please podcast
9.20.2021]

Substitute ‘painting’ for?
stitching
natural dyeing
………..

Images from ‘Sonia Delaunay’ catalogue from Tate exhibition 2015
Postcard from ‘Sonia Delaunay: Living Art’ Bard Graduate Center 2024

is just blue, or azure sky blue?
red or scarlet poppy red?
pink or carnation pink?

In her 1898 book,
“The Use of Color in the Verse of
English Romantic Poets,” Alice Edwards Pratt 
delves deep into the poets 
“descriptive, discriminative, dramatic, aesthetic”
words of color
such as—
“pinky-silver’
“autumnal leaf like-red”
“purple-hectic”
“rose-ensanquined ivory”
and charts each poet’s color
by terms for--
“mountains and hills”
“sky, cloud and air”
“deep waters”


Happily I found Pratt whilst reading
Nicholas Gaskill’s essay, ‘Language and Psychology’
in the ‘A Cultural History of Color: 
In the Age of Industry’
edited by Alexandra Loske.

.

old spools
new threads
from a spooler


spool:  a rod or cylinder, usually having a hole running from end to end, and a rim at either end, upon which thread, wire, etc. is wound

spooler: one who or that which winds thread or yarn on spools

from 1983 Webster’s New 20th C Dictionary

“The meaning of a word -
to me- is not as exact as
the meaning of a color. 
Colors and shapes make a more
definite statement than words.”

Georgia O’Keeffe

color research continues

setting the table
for the next chapters

prismatic utopia