Brece Honeycutt, a multi-media artist, uses research as a material for her history and nature based works.

Honeycutt continues her research documenting the Shaker communal society through residencies, fellowships and writing a manuscript. At the 2024 Shaker Forum, she received the annual award “for presenter demonstrating the highest standard in new outstanding scholarship.” In 2023, she was awarded a Winterthur Maker-Creator Fellowship for her project, Prismatic Utopia, exploring manuscripts and objects in their Edward Deming Andrews Memorial Shaker Collection and in 2020 she was an Artist in Residence at Hancock Shaker Village. meetinghouse, a melding of spoken word by Brece Honeycutt and Shaker songs sung by Miriam Cantor-Stone, was performed as part of the Moonbow series held at the Watervliet Meetinghouse (25 Meeting House Road, Albany, NY) on July 29, 2023.

Her series makingAWARE manifests in walks, writings, archival research, video essays & natural dye work and seeks to guide the importance of noticing the natural around us. In 2022, Art Omi (Ghent, NY) invited her to lead two walks for the Ecological series; Copy Press UK published her audio-visual essay, ‘A Bird to overhear’ for their Becoming Fireflies series, sponsoring a London screening; and, the American Antiquarian Society (Worcester, MA) invited her to present her ‘weed & bird’ based research project for their Artist in the Archive series.

Honeycutt started 2024 at Arrowmont School of Arts and Crafts (Gatlinburg, TN), where she participated in Pentaculum, an invitational writer’s residency. In, 2024 she gave talks on color for Deutsches Farbenzentrum, Slade School of Fine Art  and the annual Enfield Shaker Forum.  Her 2023 group exhibitions included: HOLIDAY LABspace’s annual small works show at LABspace (Hillsdale, NY), MASS MoMA curated by LABspace at TurnPark Art Space (West Stockbridge, MA) and Causality curated by Jason Andrew at M.David & Co.(Brooklyn, NY). 

Her installations have been placed in university campuses, historic houses, inner-city parks and in office buildings, libraries, urban markets and galleries.  She enthusiastically collaborates with artists, students, gardeners, poets, and dancers and thanks all of the historians, archivists, librarians and curators for their knowledge and assistance.  Honeycutt holds a B.A. in Art History from Skidmore College and an M.F.A. in sculpture from Columbia University.

Solo Exhibitions and Installations

2017 bewilder, Norte Maar, Brooklyn, NY
2014 underfoot, Knox Gallery, Monterey, MA
2009 Arachne, Poplar Gallery.Online,
2006 husks, Broadway Windows, New York, NY
2005 works on paper & sculpture, Arlington Arts Center, Arlington, VA
at Table, Brook Commons Outdoor Sculpture Program, Longwood University, Farmville, VA
2004 silence, Bryn Mawr School, Baltimore, MD (permanent installation)
2003 silence, Baltimore Book Festival, Mt. Vernon Place, Baltimore, MD
2000 primer, Susan Conway Gallery, Washington, DC
1998 endangered species, Installation for Arlington County, Arlington, VA
Sculptures and Drawings, Parish Gallery, Washington, DC
1996 Health & Hearth, Clara Barton National Historic Site, Glen Echo, MD
1995 Health & Hearth, Clara Barton National Historic Site, Glen Echo, MD
1994 Strange Fruits, Alternative Art Gallery, London

Selected Group Exhibitions

2024 The Nomenclature of Colour, Slade School of Art, London, England
2023 HOLIDAY, LABspace, Hillsdale, NY
Causality, M.David & Co, Brooklyn, NY
MASS MoMA, Turn Park Art Space, West Stockbridge, MA
Colour/Print/Poetry, Slade School of Fine Art, London, UK
2022 HOLIDAY, LABspace, Hillsdale, NY
Roll & Fold: Books of Story & Structure, Leverett Craft and Art, Leverett, MA
The Linda Doman Collection: Selected Works, Museum of Contemporary Art Arlington, Arlington, VA
Among Friends 3, Equity Gallery, New York, NY
Shaker Inspired, Joyce Goldstein Gallery, Chatham, NY
2021 “What The Trees Try to Tell Us What We Are,” The Hotchkiss School, Lakeville, CT
HOLIDAY, LABspace, Hillsdale, NY
Radius 50, Woodstock Artists Association, Woodstock, NY
Art & Nature Entwined, Wave Hill, Bronx, NY
Colour/Collage/Poetry, The Slade School of Art, London, England
quiet conversations, Fabrick, Lowenthal, Australia
2020 The Fabric Show, Joyce Goldstein Gallery, Chatham, NY
Conversations:  Artworks in Dialogue, Art and Design Gallery, F.I.T., New York, NY
2019 HOLIDAY, LABspace, Hillsdale, NY
Tiny Pricks Project, Speedwell Projects, Portland, ME
Everyday Perfection, Albany International Airport Gallery, Albany, NY
The Future is in the Making, Art and Design Gallery, F.I.T., New York, NY
Among Friends, Clemente Soto Velez Cultural & Educational Center, New York, NY
2018 Intimate Immensity and Other Daydreams, AC Institute, New York, NY
Among Friends, Studio #257, Brooklyn, NY
True North, LABspace, Hillsdale, NY
Natural Causes, 107 Bowers Gallery & Artspace, Jersey City, NJ
Matereality, Geoffrey Young Gallery, Great Barrington, MA
Threads:  Textile Collaborations, Drop, Forge & Tool, Hudson, NY
10 Artists / 10 Pieces, The Hotchkiss School, Lakeville, CT
 2017 Indigo:  The Seventh Color, LABspace, Hillsdale, NY
Land & Memory, Instar Lodge, Germantown, NY
In Our Nature, Rush Corridor Gallery, Brooklyn, NY
Strange Flowers, Westbeth Art Gallery, New York, NY
One Year Later, Pyramid Atlantic, Hyattsville, MD
A Declaration of Sentiments: Reflections on the Centennial of Women’s Right to Vote in NYS, Athens Cultural Center, Athens, NY
Taconic North, LABspace, Hillsdale, NY
‘Becoming’  [CorrespondenceCourse collaboration with Abigail Doan], Tremaine Gallery, The Hotchkiss School, Lakeville, CT
2016 The Warmth of Winter, National Arts Club, New York, NY
Artists of the Mohawk Hudson Region, The Hyde Collection, Glens Falls, NY
SHIFT: Environmentally Responsible Print Practice, McMaster Museum of Art, Hamilton, ON
Connections: Scotland and Italy, Lillie Art Gallery in Milngavie, Glasgow, Scotland
2015 Royal Society of Watercolors Annual Exhibition, Edinburgh, Scotland
Checkered History, Outpost Artist Resources, Ridgewood, NY
Panorama, No. Six Depot, West Stockbridge, MA
Exquisite, LABspace, Hillsdale, NY
2014 booksmart, Matteawan Gallery, Beacon, NY
Fabriano in Watercolor, Museo della Carta e della Filigrana, Fabriano, Italy
Between a place and candy, Matteawan Gallery, Beacon, NY
Azesttagh, Outlet, Brooklyn, NY
2013 Clouds, Lesley Heller Workspace, New York, NY
Art Romp, Anacostia Arts Center, Washington, DC
To be a Lady: 45 Women in the Arts, Avenue of Americas Gallery, New York, NY
2012 Lyrical Color, Pocket Utopia, New York, NY
Soul Appetite, Barn Gallery at Stoneover Farn, Lenox, NY
What I know, NYCAMS, New York, NY
Woven Mysteries: Grace DeGennaro & Brece Honeycutt, Aucocisco Gallery, Portland, ME
Marche d’Acqua Fabriano Watercolor 2012, Fabriano, Italy
2011 Drawing Crazy Patterns on the Sheets, Geoffrey Young Gallery, Great Barrington, MA
Bushwick Open Studios, Moore Street Market, Brooklyn, NY
2010 String Theory, Storefront, Brooklyn, NY
(Re)Fashioning Fiber, GreenSpaces, New York, NY
Spring Art Exhibition, Argazzi Art, Lakeville, CT
BOS, Norte Maar, Brooklyn, NY
Storefront, NEW year, NEW work, NEW space, Brooklyn, NY
Open Studio, Santa Fe Art Institute, Santa Fe, NM
Cream, Katzen Art Center, American University, Washington, DC
Ocketopia, Lesley Heller Workspace, New York, NY
2009 New Work, Norte Maar, Brooklyn, NY
Cultural Corridor IV, Storefront Artist Project, Pittsfield, MA
DRAW: Vasari Revisited, Norte Maar, Brooklyn, NY
Print Edition, Pocket Utopia, Brooklyn, NY
Global Fabrics, Common Threads, ISE Foundation, New York
2008 Brece Honeycutt & Audra Wolowiec, Pocket Utopia, Brooklyn, NY
The Thread as the Line, Contemporary Sewn Art, Ellipse Arts Center, Arlington, VA
2007 Washington Women in the Arts: A Selection, Osuna Art, Bethesda, MD
Of Paper, Montpelier Arts Center, Laurel, MD
Emily Dickinson Rendered, Wave Hill, Bronx, NY
No Representation [abstraction in the capital], Warehouse Gallery, Washington, DC
2006 Déjà vu, Arlington Arts Center, Arlington, VA
2005 A Common Thread, Soho Myriad, Atlanta, GA
2004 Surface Image Form, Ganzer Gallery, Millersville University, Millersville, PA
2003 Strictly Painting 4, McLean Project for the Arts, McLean, VA
Fold Here 3d Paper, Ellipse Arts Center, Arlington, VA
2002 Sculpture at Evergreen 2002, Evergreen House, Baltimore, MD
2001 Drawings, Salve Regina Gallery, Catholic University, Washington, DC
Sculpture Now, Pittsburgh Center for the Arts, Pittsburgh, PA
Opened Book, The Gallery, University of Maryland, College Park, MD
2000 In Praise of Paper, Hanoi College of Fine Arts, Hanoi, Vietnam
Gardener’s Delight, The National Museum of Women in the Arts, Washington, DC
All in the Family, Arlington Arts Center, Arlington, VA
1999 Open Studio, Santa Fe Art Institute, Santa Fe, NM
Site-Story, installation, Arlington Arts Center, Arlington, VA
Critics’ Picks, Maryland Art Place, Baltimore, MD
1998 Drawings, Monotypes & Constructions, Susan Conway Gallery, Washington, DC
Sculptors’ Plans — Drawings and Maquettes, 505 Gallery, Washington, DC
ARTSCAPE Annual, Decker Gallery, Baltimore, MD
1997 ARTSCAPE ‘97 Juried Exhibition, Meyerhoff Gallery, Baltimore, MD
Social Studies, School 33 Art Center, Baltimore, MD
1996 Sculpture Now ‘96, Washington Square, Washington, DC

Fellowships, Commissions & Residencies

2024 Pentaculum Writers Residency, Arrowmont School of the Arts (Gatlinburg, TN )
2023 Maker-Creator Fellowship, Winterthur Museum, Garden & Library (Winterthur, DE )
2020 ARTISTS AT WORK Pilot program, Hancock Shaker Village (Pittsfield, MA )
William Randolph Hearst Foundation Fellowship for Creative and Performing Artists, American Antiquarian Society (Worcester, MA)
2019 Naumkeag Artist-in-Residence (The Trustees of Reservations), Stockbridge, MA
Artist-in-Residence, School of Art and Design, Fashion Institute of Technology , New York, NY
2018 Naumkeag Artist-inResidence (The Trustees of Reservations), Stockbridge, MA
Norte Maar’s Summer Artist-in-Residence, Jay, NY
Mass Cultural Council Artist Finalist Award Grant in Drawing & Printmaking
Artist Residency, Drop, Forge & Tool, Hudson, NY
2014 Monterey and Massachusettes Cultural Councils for gallery talk, Monterey, MA
Fabriano in Watercolor, Museo della Carta e della Filigrana, Fabriano, Italy
2008 Pocket Utopia Residency, Brooklyn, NY
2007 Artist Fellowship Grant, D.C. Commission on the Arts and Humanities, Washington, DC
2002 Evergreen Foundation Honorarium, Johns Hopkins University, Baltimore, MD
2001 Anonymous Grant for “artist working in a particular American vein”
Arlington Commission and Virginia Commission for the Arts, Jane Franklin Dance Collaboration
2000 Artist Fellowship Grant, D.C. Commission on the Arts and Humanities, Washington, DC
Arlington Commission for the Arts grant, Jane Franklin Dance Collaboration
1999 Santa Fe Art Institute Visiting Artist Program with Squeak Carnwath, full scholarship, Santa Fe, NM
Arts Al-Fresco Visual Artist in Residence, Arlington County Dept. of Cultural Affairs, Arlington, VA
Washington Post Grants in the Arts Program, School Without Walls, Washington, DC
1998 Arts Fellowship Grant, D.C. Commission on the Arts and Humanities, Washington, DC
Critics Residency Program, MAP, Baltimore, MD
Arlington County, Department of Environmental Services and Cultural Affairs Division
1997 All-Media Juried Exhibition, Third Prize, Bonnie Clearwater, Juror, Arlington Arts Center, Arlington, VA
1996 Residency, Pyramid Atlantic, Riverdale, MD
1995 Glen-Gery Corporation, York, PA
1990 Beryl Ash Fund for Cable Street Studios Open 1991

Selected Publications

2024 Colour & Poetry, Slade Press, London
2023 Lavender, ‘Moonbow Coming to Shaker Meeting House,’ Sanctuary Radio, Troy, NY
Jonathan Stevenson, ‘Bushwick: Cause and Effect at M.David & Co,’ Two Coats of Paint
2022 ‘Artists in the Archive,’ The Worcester Review, Vol. XLIII, No. 1 & 2, pgs. 128-136
‘On being a secret poet, heaven on earth and the fine art of showing up, Fox and Bunny
‘Shaker Inspired,’ Exhibition Catalogue
Lee Lawrence, ‘A Bird to overhear’, Art Alert
Brece Honeycutt, ‘A Bird to overhear-‘, Copy Press, UK
2021 KK Kozik, “Connection to Place:  Eric Aho and Brece Honeycutt,” COCOA
2020 Tresca Weinstein, “Honeycutt follows creed as resident artist,” Albany Times Union, August 10
Diti Kohli, “A new initiative for artists in Western Mass. offers a salary and stability,” The Boston Globe, July 23
Sarah Cascone, “Inspired by the Works Progress Administration, a Novel Initiative is Hiring Artists for Public Projects in Western Mass”, ArtNet News, July 15
2019 Jennifer Huberdeau, “Honeycutt creates colors from Naumkeag gardens,” The Berkshire Eagle, August 25, E7.
William Jaeger, “Inspired by a Spirit that Transcends Time Gallery’s “Everyday Perfection” echoes Shaker Elegance,” Times Union, April 18-24, cover, pgs. 10-11
Book Report:  Mary Gabriel’s Ninth Street Women,” written with Anne Lindberg for Two Coats of Paint, April 6
2018 ArtSake Blog, Mass Cultural Council, September
2017 Posit: a journal of literature and art, Issue #16,
Andrew Webster, “What’s In Your Nature,”  Fine Art Connoisseur, September 14
Mark Jenkins, “In the galleries:  Putting a fine point on colored pencil drawings,” The Washington Post, July 13
bewilder New Work by Brece Honeycutt with an essay by Anne Swartz, Norte Maar
Millicent Young, “A Sense of Place,” Vasari 21, May 28
Athens Laundry Volume I, Number 5, curated by Laura Battle, D.R.Evarts Library, Athens, NY
James Panero, Gallery Chronicle April 2017, The New Criterion, Vol. 35, No. 8
Ideas and Influences:  Brece Honeycutt,” Two Coats of Paint, March 30
James Panero, Critics Notebook dispatched January 4th, The New Criterion
2016 Michael Oatman with an essay by Erin Coe, MHR-80 Firecrackers Catalog, The Hyde Collection, Glens Falls, NY, pgs. 50-51.
Sharon Butler, “Email:  Report from a colonial farm,” Two Coats of Paint, 7/27/2016
SHIFTERPP Environmentally Responsible Print Practice Catalog, McMaster Museum of Art
Kate Abbott, “Wildflower Festival:  The Trustees of Reservations host wildflower walks at Bartholomew’s Cobble”, The Berkshire Eagle, April 23
2015 Paul D’Agostino, “Best of Brooklyn Art 2015: The Past Conditional Edition,” Brooklyn Magazine, 12/21/2015
Wiliam Corwin, “Checkered History,” The Brooklyn Rail, November 5, 2015
Paul D’Agostino, “A Rite of Spring: CounterPointe3,” The L Magazine, 4/22/2015
2014 Amy DuFault, “Going ‘Underfoot’ with Natural Dye & Textile Artist Brece Honeycutt,”, October 27, 2014, accesed on November 4, 2014
Fabriano in Acquarello catalogue, pg. 284
Anthony F. Hall, “Blueprint: A House, a Novel and Victoria Palermo’s Sculpture,” Lake George Mirror, March 25, 2014
India Flint, “Making the Way Home,Surface Design, Spring 2014, Vol. 38, No. 3, pgs. 28-33
Julia Sinelnikova, “Fiber is the New Black,” Bushwick Daily, February 13
2013 Pocket Notes, Volume 1, Issue 2, Spring
2012 James Panero, “Gallery Chronicle,” The New Criterion, Volume 31, November, pg. 52
Lee Lawrence, “The Green Heart of Italy,” American Craft, October/November, pgs. 94-99
Thomas Micchelli, “City of Women,” Hyperallergic, October 13
Pellegrini, Giorgio and Anna Massinissa Magini, Premio internatzionale di acquarello “Marche d’acqua” Fabriano Watercolor 2012, pgs. 98-99
Daniel Kany, “Math and earthy science at Aucociso”, Portland Press Herald, April 15
2011 Cindy Kelly, Outdoor Sculpture in Baltimore:  a historical guide to public art, (The Johns Hopkins University Press, 2011), pgs. 266-7
2010 “Home Gallery Il Senso Domestico Dell’Arte,” La Repubblica, no. 705, pg. 51
2008 Jessica Dawson, “The Fabric of Freedom, Redefined,” The Washington Post, May 23, pg. C2
Aaron Short, “A Whole new meaning of the ‘web’,” Bushwick Courier, May 2, pg. 18
2007 Michael J. Vaughn, “Copper Brings Dickinson’s Work to Life at Wave Hill Exhibit”, Copper in the Arts Magazine,, Issue #1, May
David Foxley, “Poetry Springs Eternal,” The New York Observer, April 22, pg. C2
Martha Schwendener, “How a Solitary Poet of the Past Speaks to 10 Artists of Today,” The New York Times, March 9, pg B36
Kirsten Akens, “Mr. Postman, bring me a dream,” Colorado Springs Independent Newsweekly, March 8
Amanda Gordon, “The Belle of Wave Hill, The New York Sun, March 1, pg. 19
Lee Lawrence, “Adoption for art lovers, “Christian Science Monitor, January 4, pg. 20
2006 Meghan Drueding, “Imagine + Create,” Residential Architect, April 2006, pgs. 94-95
2005 Janis Goodman, WETA/Around Town Best Bets, December 26
New American Paintings, Number 57, Open Studios Press. pgs. 78-81
2004 Jamie Stiehm, “History etched into silence,” Baltimore Sun, May 28, pgs. 1B, 5B
2003 Sarah Tanguy, “Sculpture at Evergreen,” Sculpture Magazine, Vol. 22 No, 2, March 2003, pgs. 86-87
Deborah K. Dietsch, “Rooms for Imagination, “ Washington Post Home, January 23, pgs. H1, H5
2002 Anne Bennett Swingle, “She was One Powerful Woman,” Hopkins Medical News, Fall 2002, pg. 10
Lisa Speckhardt, “Gilding the Lily,” Landscape Architecture, July 2002, pg.16
Michael O’Sullivan, “Evergreen’s Hidden Pleasures,” Washington Post Weekend, June 28, pg. 48
Sculpture at Evergreen,Catalogue, Mary Jane Jacob and Cindy Kelly
2000 Lee Lawrence, “Gardener’s Delight,” Internet Art Resources, July
“Gardener’s Delight,” Women in the Arts, Summer 2000, pg. 14
Ferdinand Protzman, “Scott, Reid and Honeycutt at Conway, ” Washington Post, August 24, pg. C5
Joanna Shaw-Eagle, “Museum blooms like a ‘Gardener’s Delight,” Washington Times, July 15, pg. D5.
1999 Lisa Yoon, “Public Art in the 21st Century,” Public Art Review, Fall/Winter ’99, pgs. 27-28
Catalogue, Site-story Exhibition, Kristen Hileman, Curator, Arlington Arts Center
Catalogue, Maryland Art Place Critics Residency Program, Barbara Rose and Kristen Hileman, pg. 5
1997 Lippard, Lucy, The Lure of the Local, (New York: New Press), pg. 101


2024 Prismatic Utopia, Annual Shaker Forum, Enfield Shaker Museum, Enfield, NH
culled colour, International Colour Day, Deutsches Farbenzentrum
colour combinations, Colour & Poetry: A Symposium VI, Slade School of Fine Art, London, England
2023 “research as a material,” School of Art and Design, SUNY Purchase, Purchase, NY
Mad about justice, Copy Press, Swedenborg Hall, London, England
Technical Color, Shaker Collectors Weekend, Enfield Shaker Museum, Enfield, NH
meetinghouse: collaboration with Honeycutt/spoken word & Miriam Cantor-Stone/Shaker songs, Moonbow #6, Shaker Heritage Society, Albany, NY
Waste: A conversation with Anita Cazzola, Botanical Colors, Feedback Friday
2022 ‘A Bird to overhear-‘ Artist in the Archive Series, American Antiquarian Society, Worcester MA
Traveling Distances, screening of ‘A Bird to overhear’, London, England
Seasonal Landscape Walk, Ecology Series, Art Omi, Omi, NY
2021 Artist talk for Austin Thomas’ class, “The Artist as Entrepreneur,” The New School
Studio Visit with Jason Andrew, Norte Maar, @jandrewarts on IGTV
“Natural Dyes: finding, dyeing & making,” Slade School of Art, Material Research Project & Network
2020 A Coat of Heavenly Brightness, A conversation with Sarah Margolis-Pineo, Hancock Shaker Village
The Common Thread Series, Southern New England Fibershed and Edna W. Lawrence Nature Lab at RISD
Artist’s Talk MassArt Fibers, Massachusetts College of Art and Design
2019 Shaker Herb & Seed Industry, Fruitlands Museum, Harvard, MA
Inside/Outside project, a series of 10 programs for Naumkeag, Stockbridge, MA
“Tree Peonies” for Home Sweet Home Day, Naumkeag, Stockbridge, MA
2018 “One date” lecture tour for Two Coats of Paint, Metropolitan Museum, New York, NY
2016 Artist Talk for Artists of the Mohawk Hudson Region, The Hyde Collection, Glens Falls, NY
2015 Tobacco Hour publication launch, Luhring Augustine Bushwick, Brooklyn, NY
Tobacco Hour readings, Book Court, Brooklyn, NY and The Factory, Long Island City, NY
2014 Gallery talk for ‘underfoot’, Knox Gallery, Monterey, MA
2012 To be a Lady Panel, Arts Students League, New York, NY
Gallery talk for Lyrical Color, Pocket Utopia, New York, NY
2010 Knitted Vision, Camp Pocket U, Rouses Point, NY
2008 “Fiber Feminism & Ephemera,” Pocket Utopia Salon, Brooklyn, NY
2007 Emily Dickinson’s Plants, Tour with Charles Day, Collaborator/Horticulture Interpreter, Wave Hill, Bronx, NY
2005 Artist’s talk for solo exhibition, Arlington Arts Center, Arlington, VA
Longwood University, Lecture in conjunction with installation of at Table, Longwood University, Farmville, VA
Regional Judge for Fairfax County’s Scholastic Art Competition, Fairfax, VA
Panelist, Mary E. Garret program, Roland Park Women’s Club, Baltimore, MD
2001 Gallery Talk, Salve Regina Gallery, Catholic University, Washington, DC
2000 Charrette, Walk Arlington, Group team leader, Cultural Affairs Division, Arlington, County
1999 Gallery Talk, Site-story, Arlington Arts Center, Arlington, VA
1998 Panelist Gallery Talk, Mansion Art Gallery, Rockville, MD
1996 Maryland Art Place, Slide Registry Lecture Series, Baltimore, MD
Panelist, Sculpture Now ‘96, Washington Square, Washington, D.C.
1995 Panelist, “Women Keeping the Arts Alive,” National Museum of Women in the Arts

Curatorial Projects

2017 Indigo: The Seventh Color, curated with Lorrie Fredette, LABspace, Hillsdale, NY
2014 blueprint, a 3 person exhibition, Sharon Butler, Peter Dudek, & Victoria Palermo, Burns Art Atrium Gallery, Union College, Schenectady, NY


2023 meetinghouse, collaboration with Miriam Cantor-Stone
2018 Removed Words with Caitlin Parker
2015 Tobacco Hour collaboration with poet Dara Mandle, published by Norte Maar, New York
Intermezzo, costumes for Gleich Dances, Counterpointe, Brooklyn, NY
2002 Prageeta Sharma, poet/artist collaboration, Ernest Rubenstein Gallery, New York
2000 Jane Franklin Dance Company, sets and props, Washington, DC and Virginia
1999 Jane Franklin Dance Company, sets and props, Washington, DC/Virginia locations

Selected Organizations

Sheffield Cultural Council, 2019 – 2022
National Advisory Council, Tang Teaching Museum, Skidmore College, 2020 — present
Board Member, Arlington Arts Center, 1999-2000, 2005-2008
Grantwriter/Board member, Washington Sculptor’s Group, 1997-2000


Bryn Mawr School, Baltimore, MD
Hyatt Corporation
KSI Services
Museum of Contemporary Art Arlington, Arlington, Virginia
Museo della Carta e della Filigrana, Fabriano, Italy
New Hall College, Cambridge University, Great Britain
Norwegian Cruise Lines
Private collections in the United States and Great Britain
The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College


Columbia University, New York City, M.F.A. in Sculpture
Skidmore College, Saratoga Springs, New York, B.A. in Art History
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