Color

gathering gold—

glistening glittering mica chips
dandelion rainbow strands
molten orange M initialed
pleated dress of worship & work
golden orbed dawn
palest lemon goldenrod tuft
waves frozen, seedhead
mighty morning orb

drab drab drab 

reddish drab
sandy drab
silver drab
sage drab
salmon drab
dove drab
beaver drab
glove drab


reading old dye books
the name tells all

"Imagine. Colours of the past, escaping from the pages of old dye and pattern books. Persian blue, Raven, dainty blue, pomegranate flower, spiny lobster, winesoup, dove breast, golden wax, grass green, green sand, rotten olive, modest plum, agate...finding their way to streets of our cities, enlivening all we wear, all allied to dissipate the bleakness of the times."

From Dominique Cardon's introduction to 'The Dyer's Handbook Memoirs on Dyeing by a French Gentleman-Clothier in the Age of Enlightenment' 
[Oxbow Books, 2016, pgs xi-xii]

+technicolor additions to Edward Deming Andrews text about dyes used by the Shakers at Watervliet 

working on  prototype for
an upcoming project
 
thanks Josef Albers
“Why colored paper instead
of pigment and paint”
 
-paper provides innumerable colors
-sources are easily accessible
   (HTSI magazine)
--makes an inexpensive paper ‘palette’
-unnecessary mess, quick easy juxtaposition
--no spoiled or paint mixing failures
--no big equipment, but paste and cutter
--no drying time
--ease of solving problems
 
[from Josef Albers, ‘Interaction of Color:
50th Anniversary Collection,’ Yale University Press
2013, pgs. 6-7]

looking for brightneess
in rainbows and revision structures
on hand knit shawls dyed with goldenrod,
gathered at wasteplaces
stitched into circles emanating sunlight

“Color is space.” 
Ethel  Adnan


“Color is an essential part of construction.”
Elizabeth Burns-Meyer


.madder .cochineal.goldenrod.indigo.logwood

[‘The Beauty of Light:  Interviews with Ethel Adnan,’ Etel Adnan & Laure Adler translated by Ethan Mitchell, Nightboat Books]

[Burns-Meyer from ‘The Book of Colour Concepts,’ Alexandra Loske and Sarah Lowengard, Taschen Books]

drawers over cupboards
cupboards over drawers
rulers
buckets
clothes hangers
& a mop made with reused woven tape

reds & yellows from a recent tour
with Jerry Grant, Shaker Museum | Mount Lebanon

chromatics:  relating to or produced by color

village maps rendered in vibrant colors
garments dyed any color of the rainbow
.
.
research forming into chapters
guided by color,
dye baths and paint pots

banner: a long strip of cloth bearing a slogan or design, hung in a public place or carried in a demonstration or procession

these didn’t start as banners
yet, as a way to mark color on cloth
indigo, madder & coreopsis

later, hung on a Shaker cupboard
finally sewn into a series of twelve,
a perfect circle/perfectly round.
shaker studies 01-12
.
.
pardon the pun, but coming full circle,
dyeing these cloths lead me down a
path exploring the Shaker’s use of color

four years later, study 06 hangs as a banner in Williamstown, MA
and on Saturday, I will present my paper ’Prismatic Utopia,’ a threefold
exploration of Shaker color—practical, temporal & spiritual
at the Deerfield Fall Forum

Eyes on Art Town, 37 artists’ banners found in downtown Williamstown
A Rich & Varied Palette: Coloring New England’s Past at Historic Deerfield, 13/14 September

[a perfect circle/perfectly round. shaker studies.06, 2021 Indigo on muslin, coreopsis and indigo on found textile, dyed cotton thread]

The title is from a quote by two Shaker Brethren, Calvin Green & Seth Y. Wells (1823)—“A circle may be called a perfect circle when it is perfectly round.”

this is what research looks like-notes on a wall, folders on a table, books stacked high

this is how research is defined as a noun: the systematic investigation into and study of materials and sources in order to establish facts and reach new conclusions

this is how research is defined as a verb: investigate systematically

looking forward to presenting my research Prismatic Utopia at the Deerfield Fall Forum ‘A Rich and Varied Palette: Coloring New England’s Past’ 13/14 September.

“Historic Deerfield’s 2024 Fall Forum, A Rich and Varied Palette: Coloring New England’s Past, convenes a group of leading researchers and scholars to explore the vast subject of color and its history. Research and publication in the history of color has been growing in recent decades, but few studies have examined color’s impact on specific cultural regions, such as New England. The program’s lectures will focus on the diverse topics of global colorants and textiles, lithoprints in 1840s New England, painted furniture at the Bath Academy, japanned furniture, Shakers’ color use and meanings, New England’s textile bleaching industries, chrome yellow and pink as pigments, and the paints and finishes of the Rockingham (Vermont) meeting house.”

More info HERE for in person or virtual registration.

Thanks to Merriam Webster for the definitions and to Historic Deerfield for the opportunity.  

five summers ago
harvested dahlias
stuck between sheets of paper
simmered, steamed
 
stacks of silhouettes, waited
suddenly, this summer,
their sense seeped in
 
was it seeing the blots of
Mary Gartside, seeking
flower essence through color?
 
fifty seven washed with
gouaches and watercolors
Inks of—daffodils, pine cones,
black walnuts, marigolds

Thanks to Alexandra Loske for alerting me to Gartside.

Her book, Mary Gartside:
Abstract Visions of Color at Thomas Heneage Books

Thanks to Naumkeag for the Artist Residency in 2019
where the dahlias were gathered.

Simultaneous
Synchronicity
Shaker Color
Sonia Delaunay
Sunrising
 
morning reading of Delaunay’s 
“magnetic language of colors”
“transcribing the poem into colors”
in Pascal Rousseau’s essay
 
“Not images, or objects in the 
traditional sense, but colours, lines
sensations, feelings. Pure inspiration.”
Sonia Delaunay
 
“And when light expresses itself fully,
everything is coloured.” Guillaume Apollinaire

[quotes and Delaunay images from
Sonia Delaunay, Tate Publishing, 2014]
 
[stack of shaker boxes from JKRussel Antiques]

french yellow oxide
chrome yellow
red ochre deep
red lead
chrome green
prussian blue
.
. 
color matching
Shaker Color Palette
.
.
So excited to be presenting
my paper Prismatic Utopia at
Historic Deerfield’s Fall Forum,
A Rich and Varied Palette:
Coloring New England’s Past,
September 13/14 2024

Info on Fall Forum found here,  Historic Deerfield

Second image Susan Buck's shaker pigments for
Shaker Museum | Mount Lebanon. Thanks to 
Jerry Grant for his amazing stewardship of artists
seeking Shakers. And to Susan Buck for our recent
conversation regarding Shaker color and her paint
research.