Thrilled to be giving a talk for The Slade School of Fine Art’s Colour & Poetry: A Symposium V, March 21-22, 2023.
My talk, “Prismatic Utopia” is Tuesday March 21 at 12:30pm EST | 16:30 GMT.
View the online exhibition accompanying the Symposium, here.
The Symposium is free, but requires booking. For more information, visit the Symposium page
Feedback Friday (Alumane) Brece Honeycutt + Anita Cazzola – Botanical Colors. The two will engage in a conversation about waste: wasted color, waste as invasive, waste as wasted time to not stop and smell the flowers, color under our feet people see as waste (the dandelion?!), color in sad places people see as waste…
Watch the recording of our Friday March 10th conversation HERE.
The annual HOLIDAY show at LABspace opens December 17th with over 300 artists exhibiting small affordable work.
orb #17, 2022, watercolor, pencil, plant inks on monoprint, 10″ x 6 3/4″
Opening Weekend Celebration: Saturday + Sunday December 17 + 18th, 1-5pm
On view Saturdays + Sundays 1-5pm until February 19th, 2023
Closed December 24 + 25
LABspace, 2642 Route 23, Hillsdale, NY 12529.
For more information LABspace blogspot or LABspace instagram.
Linda Doman was an incredible supporter of artists and arts organizations in the Washington, DC area. Her art collection has been donated to the Museum of Contemporary Art Arlington and is now on view until January 29,2023. I am honored to have three works on view, including brim #5: well bucket.
brim #5: well bucket, charcoal, graphite, tea, watercolor, pastel on paper, 30 x 22″ 2003. The Linda Doman Art Collection
Museum of Contemporary Art Arlington, 3550 Wilson Blvd., Arlington, VA | 703.248.6800. Open Wednesday – Sunday, 12-5pm
painters, poets, printmakers, play writes, filmmakers, composers, sculptors, fiction writers, non-fiction, too–story tellers of all types research at the American Antiquarian Society and The Worcester Review Vol. XLIII, Numbers 1 & 2 celebrates twenty-five years of Creative Fellowships.
“Research is a material and the method of combining ‘book learning’ with ‘field notes,’ well-thumbed pages with current date, brings forth a way of viewing the world and underlies my working process.”—excerpt from Honeycutt essay in The Worcester Review, Volume XLlII, Numbers 1 & 2, pages 132-133
[images: L/Honeycutt research close-up with magnifying glass, reading dome reflection and plate XIV from Jones & R/plate XXVI from Howard Jones, Illustrations of the nests and eggs of birds
“On being a secret poet, heaven on earth and the fine art of showing up.”
“There’s a bit of poetry and mystery to Brece Honeycutt’s work, an unraveling that needs to happen to grasp the deeper meanings of her intensely researched nature and history-based drawings, natural dye work, installations, guided walks, and video essays. As we move into the quieter months of winter, this contemplation of what it means to show up and experience heaven on earth feels just right.”
Read the interview on the Fox and Bunny site.
Thanks so much Mary Jo Matsumoto of Fox and Bunny. It was a pleasure to talk with you.
Books! Recently, it occurred to me that I want to make every art project into book, so I am thrilled to be among fellow bookbinders and bookmakers in the exhibition Roll & Fold: Books of Story and Structure organized by Raven Laise and Sandra Haynes.
On view at the Leverett Craft and Art Center until November 27,2022 and open Saturday/Sunday 1-5pm.
Opening Reception Sunday November 6 from 4-6pm & Closing reception the afternoon of November 27, 2022.
naturalist’s record book: sampler 2018, monoprints, natural dyes & inks, silk/cotton thread, antique textiles, wasp nests, assorted papers, 14 x 17″ [image by Douglas Baz]
Leverett Craft & Art Center, 13 Montague Road, Leverett, MA 413-548-9070
Please join us on Saturday October 1 at 11am for an autumnal walk exploring fall fields and flowers, fallen leaves and florets of goldenrods, along with found time to forage for thoughts and observations.
In the spirit of poet Mary Oliver, participants will take a notecard, tuck a pencil in their pockets and walk amongst the flora, birds, and trees on an artist guided walk around the grounds of Art Omi. We will explore what makes October, October. Our walk will be articulated with poems and readings chosen by Honeycutt to accentuate the natural occurrences happening on the ground and in the air.
Please register for the Walk, at Art Omi.
We invite you to Travelling Distances a screening of A Bird to overhear
with contributions from Brece Honeycutt, Julian Lass, Edith Marie Pasquier, Jess Potter
on Tuesday 20 September, 169 Bermondsey Street, London, 6:30-8:30pm
Thrilled to be working with Edith Graves and her new art consulting project, Edith Graves / Art Advisor
For more information, have a perusal around her stunning website, edith graves.com
We are delighted to announce that A Bird to overhear—has been selected for the International Herb Symposium Film Festival and are honored to be amongst films that demonstrate respect for our world, highlight the perils persisted upon the land and species, and provide positive ways forward in concert and community. Copy Press/Brece Honeycutt
Available on line until 25 Sept, 2022 (https://www.ihsfilmfestival.org).
‘ A Bird to overhear,’ is part of Copy Press UK’s Becoming Fireflies series.
Artist in the Archive Talk Wednesday June 15 at 4pm at the American Antiquarian Society
I will discuss my research with the American Antiquarian Society collection as a 2019 Artist Fellow that led to my project “A Bird to Overhear-‘ with Copy Press UK.
[A video recording of the talk may be viewed on the AAS YouTube channel.]
Seasonal Landscape Walk Saturday June 4th at 11am at Art Omi, Omi NY
We will explore what makes June, June. Our walk will be articulated with poems and readings to accentuate the natural happenings on the ground and in the air.
Please register for the walk at Art Omi