Mother Ann Lee

Category : Art, community, Poetry, Shakers
Date : March 2, 2024
Mother Ann Lee
29 February 1736 — 8 September 1784

Cosmic feminist karma
Inspired when first in,
When women invited in.
A broadsheet to marketh the course, to report. 

Lace repurposed, given new life, liberties,
infused with psychedelic indigo.
A spectrum instructed with solemnity
Occasionally, light flickers. 

Mother Ann Lee embodied cosmic feminist karma
bringing a new religion into the worldf
ounded on principles so radical that they endured persecutions 

One could say her broadsheet was verbal;
she being illiterate to written words
yet literate in all realms cosmic
. 
The written  Testimonies of her contemporary believers 
and works of the later visionists-scribes themselves of hearts and leaves
and maps and flowers and trees-- 
scripted scrolls brought down from spirits’ energies spoke to her cosmic energy. 

Stone Prison 
How can I but love my dear faithful children
Who’re willing to bear and suffer with me
When I was on earth and in a cold prison, I cry’d
To my God to remember me 

I prayed to God to protect my dear children,
To strengthen the weak and comfort the strong
For I was distressed and in a stone prison,
And none but my God to protect me from harm. 

—excerpt from ‘meetinghouse’ --  spoken word by Brece Honeycutt & Shaker song/Stone Prison sung by Miriam Cantor Stone. performed at Shaker Heritage Society for Moonbow #6, July 29 2023.
.

“A Bird to overhear-‘

Category : Art, Nature, Poetry
Date : February 17, 2024
2 years ago today, Copy Press launched
‘A Bird to overhear-‘ for their Becoming Fireflies series!


“Are we listening? Are you listening?
When did I start listening?
When’d di you first hear them? Do you recall which one?
Was it the dawn chorus? Or the wail, cry, caw at last light?
When did it dawn on you?  Are you listening?

Can you name them? How many can you name? 

According to the New York Times only 1 in 8 can
Name more than 20 species. Can you name their songs?Can you hear them? Can you see their flight patterns?

The landscape architect Gertrude Jekyll, once blind,
could name them by the sound of their wings in flight.”

-text excerpt from 'Listening" chapter |  watch ‘A Bird to overhear-‘

I am forever grateful to Copy Press for their faith in my work. Thanks a million, Vit Hopley, Yve Lomax, Jono Lomax and Opel Morgen for this collaboration and all you did to make it happen.

'A Bird to overhear-'  photography, filming/Brece Honeycutt; script, narrator/Brece Honeycutt; script editor/Vit Hopley; producer/Yve Lomax; video-editing, post production/Jono Lomax; graphics/Opal Morgen; thumbnail image/Brece Honeycutt

Mary Gartside

Category : Art, Books, collage, Color
Date : February 1, 2024
White
Yellow
Orange
Scarlet
Green
Blue
Crimson
Violet



Find more information on Alexandra Loske and her colour research, here. Mary Gartside (c.1755-1819) Abstract Visions of Colour published by Thomas Heneage Art Books


grey

Category : Art, Books, collage, Color, Poetry
Date : January 28, 2024
morning collage/watercolor
responding to the objects on my table
Geoff Young chap book
paste paper folder
tangled threads
or the grey outside



greyed:
            palest grey to white
            violet grey
            pink cosmos grey
            violets dropped in milk grey
            a drop of cobalt blue grey
            orangesicle ice cream grey
            sunpoked through yellow grey
            old yellowed newspaper grey
            grey green sky portends rain

winter fields

Category : Art, Plants, Poetry, Textiles
Date : January 20, 2024

snow on fields

stitched onto cloth

and written into this poem

unfurled a field, a sea of snow grasping onto goldenrod
filling cups aplenty, double dotting punctuation
 
seeing scarlet swatches of bitten bittersweet berries 
 
grapevines curlicue up trees, squirrel nest spaces
unfurling, falling, flouncing onto the forest floor
 
oak, aspen, maple leaves carried into spaces
intervals interlaced into fullness
 
unentangle someone else’s scrawled 
no-sense sentences unto snow’s solaced silence
stitched work from the winter field series exhibited at 2017 Norte Maar in a solo show, bewildered


winterfield stalks and stems, silk/cotton thread on damask, 16 x 15 1/2”


winterfield dots and dashes, silk/cotton thread on damask, 16 x 15 1/2”

Website by Roundhex. Adapted from Workality Plus by Northeme. Powered by WordPress
@